jeudi 26 février 2015
mardi 24 février 2015
cover letter
Fiflo's
Figments is a comic art anthology between published short story writer Robert
Finch and classically trained artist Gregory Floch. Fiflo, a combination of Finch and Floch,
denotes a body of work devoted to waking dream senselessness. In one figment a girl commits suicide and her
friends and family say goodbye through a horrific nightmare, in another, a
“Hell Bus” harasses wanderers stranded on an interstate in the snow with a
promise for a “way out” with the price, a virtual world exists and leads people
to neglect the waking world and a starving artist working in a shack gets the
deal of a life time when his work is finally noticed and censored by an
oppressive government. The work is a
combination of pulp, surreal art, and a sense that despite all the darkness and
blackness that there is a whimsy to any dream.
From a girl's smiling lips as she prays to God to angel's sense of humor
as she gives out wishes that ultimately backfire in explosions and wardrobe
malfunctions, even through the darkest moments Floch's art provides a view that
is more neutral than partial, laughing as chaos and fate plays its part. The art is shamelessly European and the
writing lost in its own joke, but despite it all the works come together to
form a dream-like vision of absent thoughts magnified. Presenting, Fiflo's Figments.
email contact
If you wanted to, you can contact us here:
flochgregory@gmail.com
robert-finch@comcast.net (Robert Finch, 133 Pheasant Fields Lane, mooretown New Jersey, USA)
(tel number Finch:856 630-7854)
Thanks
Figments summary.
Breakdown of all Fiflo shorts
Robert Finch and Gregory Floch
Moon and Sun- A young woman makes herself
“pure” by showering, anointing herself with oil, and praying to Jesus
Christ. She then falls asleep in her bed
saying that she'll “meet my love there.”
She has a dream in which there is a moon in the sky that rapidly changes
to an angry sun that burns her in a blink of the eye. One by one she meets people who care about
her. First her father, than her best
friend, and finally a strange man who regrets “Not being able to save
you.” One by one they wear a moon mask
which turns into that of a burning vengeful sun (with the exception of the
strange man who has a half moon half sun mask).
Finally she is alone in darkness calling for her boyfriend not to leave,
with her last sight being of her boyfriend with a sun mask declaring “I've
already left.” It is revealed then that
the woman had committed suicide with pills due to unrequited love and that each
person she saw saying goodbye to her were wishing her luck in the afterlife.
Earth Meme-
A young teen in a virtual reality world, Tamara, enjoys spending time
growing plants in a farming situation.
She goes out clubbing with a close girlfriend and upon drinking with her
friend regrets that food in the virtual world can't satiate her real world
hungry. She wakes up in a lifeless
slummy world where people have forgotten the real in favor for the virtual. On
her way to get food she pontificates how she wishes the “real world” would come
back, eventually becoming frustrated and returning to her virtual life. Her
brother closing the comic paints a mural of a beautiful sunset while onlookers
remark that beautiful as it is, that such things are far beautiful in the
virtual world.
The Hell Bus- A man known as the Loner drives dangerously
aggressive on his motorcycle when suddenly he finds himself out of gas after
coming close to being run over. He finds
himself in the middle of the snow storm pushing his motorcycle to the promised
gas stop in 20 miles when a strange bus flags him down. The bus is a representative of sin itself,
decorated with surfboard, cigarettes, bras and boxers. This bus, the Hell Bus, claims that the the
Loner has credit with them but the Loner refuses to get on board despite the
tempting offer from the snow. However
the bus persists and the storm gets worse, wearing down the resilience of the
Loner. Finally the Loner gives in and
has a flashback to all his most grievous misdeeds. He boards the bus and asks where the bus will
take him. The driver states “where else”
and rambunctiously drives on the seemingly never ending ghostly highway.
Godman, the Skyline, and Below- In a
futuristic dystopic Frederick Floch
lives among the lowest of the low, in shacks at the bottom of a massive overbearing
skyline. He is a trained painter going
through hard times, unable to make a living due to the poverty of everyone
around him. One day an upperclassman, a
“fluffer” enters his slummy studio and buys all his paintings for a sizable sum
in exchange for Frederick to leave the slums and go to the more prosperous
skyline to work as a propaganda artist.
His previous work is condemned for his depiction of beautiful women, a
commodity treated like second class citizens through working as whores in the
worst or kept as pets in the best. Thus
his work challenges the status quo. A
revolutionary, Yannik, approaches Frederich preaching of a possible world where
all art can be free and the people would be painted and praised rather than the
politicians. However he movement is
gunned down and Frederick is brought to the dictators house, the Godman
Michaels. The Godman offers Frederick a
deal, the most extravagant life imaginable in exchange for only being
restricted to paint for him and him alone.
Frederick accepts, enthralled with the rich life with scars of poverty
from the slums. He lives the rest of his
life peacefully.
There's a cure for that- In a pediatric
hospital wing, a boy dreams of a prehistoric paradise. By chance, he comes across a transparent door
that leads him out of his thought/dream bubble into another, with a medieval
castle with a moat where another child, a young girl, reigns as princess.
Throughout the hospital wing children are jumping into each other dreams,
experiencing each-other's dream worlds. Than day comes. The children rub their eyes and wake up one
by one, the dreams/thought bubbles popping into nonexistence. The children begin to talk to one another in
whispers, reliving their adventures to the persons next to them. The story ends with a large poster sized
picture made from interlinking individual pictures taped together hanging on a
white hospital wall showing a childish portrayal of what happened in the dreams
that night. A crow sits at a windowsill
and then flies off.
The Best Earth has to offer- A space armada arrives at earth, with ships
like rorshawk blobs hovering over space and jamming all satellite reliant technology. One by one orbs comes from the ship to every
American style fast food joint in the world asking for fast food style french
fries in exchange for precious metal. When the aliens leave at first people are
shocked due to the shortage of fast food, but the only thing that changes is
all the fast food places are decked in gems and fast food equipped spaceships
are sent out in star trek like one year voyages to explore new markets.
So Fake it's Real- A sexy angel girl
(complete with halo) runs a stand at a comic book convention selling trading
cards. The cards are advertised as
“Grace” cards and are supposed to give one movie themed fortunes. Most scoff at these claims, but a few nerds
decide, hey, what the heck, especially since these cards are samples being
given out for free. One card reads
“release the Kraken, and suddenly a giant squid bursts from the ground and
takes him. Another card reads “Beware
the fembots” and suddenly sexy women start firing machine gun rounds out of
their breasts. A little girl is given a
card that reads “For Sparta!” and there is a cut of her riding on a chariot
decked out in full armor cutting heads off in front of an army of ancient Greek
spartan soldiers. Seeing these disasters
and others and even the angel selling the cards running for cover, a news team
arrives on the scene. “Life from San
Diego, this is Komiccon”
Punished Modesty- A girl in a medieval
style world is being constantly harassed by peeping toms, being modest and
uncomfortable about her sexuality. After
her hiding places like her room, the woman's restrooom, and even a nunnery
being compromised she simply hops on a horse with modest provisions and goes as
far a way as possible for some privacy.
So she goes into the forest, thinking that she's alone. However, as established earlier, a war had
gone on earlier and as she swims skeletons look up from the bottom and leer
Night Ladder- in a dystopian African
country the “Valids” are genetically engineered super beings. They are tall Adonises who live a peaceful
stress free life. Nanai Cansado, a cop,
is on a cold case of his own volition due to boredom with his cushy life and a
strive to do meaningful work. He
discovers that a Valid child was kidnapped by her invalid (non genetically
modified) mother and brought to live with her in one of the camps for the
invalids. The invalids are a weak,
feeble, downtrodden race which Nanai sees as he goes to find the child. However Nanai finds himself unable to feel
sympathy with them, repeating a pattern of apartheid. Nanai finds the child who had been with the
invalids so long that she had begun to look like them. He finds her a good home and feels the
scenario is over with and feels that justice is done. However the “saved” girl composes a message
to her half brother, feeling empty without her family around her. Her new parents rip the letter and appeal to
the child to be happy in her new world and new life.
Authors
Robert Finch is a prose and script writer
from south New Jersey U.S.A. Since the
age of three Robert has cultivated a love of reading and a mastery of
literature, as well as an appreciation of visual arts such as fine art and
movies. Upon discovering comics in his
late teens, Robert realized that it truly is possible to wed the two worlds of
text and picture to tell engaging stories, and has been engrossed in the
creation of such ever since. He has
recently had two prose short stories accepted and published by Inwood Indiana
and Avalon Press and is hoping to make headway into the world of comics as well
with his first publication to date after years of experimenting with various
partners.
Gregory Floch is has been a comic fan since
he discovered Conan the Barbarian in his native France. Having spent three years as an art student of
Ecole Emile Cohl in Lyon France (He ran out of money) he has been drawing
comics ever since. Gregory's passion for
the bizarre and exaggerated fuels his abstract art influenced works. He strives to develop a comic form which
combines both American comic and fine art aesthetics building on the influences
of Pablo Picasso, Simon Bisley, and Mike Mignola among others to guide his
artistic license. He's now (quick soon) published by YIL editions.
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